Chromascope — A director's finder for iPhone built for depth and color.

What's different

Pick a lens, not just a focal length.

Real depth of field.

The iPhone's depth data and neural refinement render shallow focus that matches your chosen lens + t-stop. Falloff tracks distance naturally, just like a real lens. Bokeh holds its shape on edges, hair, and bright points. Anamorphic modes even simulate optical characteristics and oval bokeh.

Real cinema color.

Log profiles modeled on ARRI, Sony, RED, Canon and more. What you capture in the finder matches the color space of a real camera. Use your own custom LUTS and they'll work exactly the same as they would on the actual thing, or export it flat to preview looks in your NLE or color software.

Everything you need. Nothing you don't.

Manual exposure & white balance. Offset, kelvin, and tint — live on capture and adjustable after.
Manual exposure simulation. Set ISO, shutter, and aperture — the exposure matches a real cinema camera.
Exposure tools. False color, waveform, RGB histogram, and focus loupe.
Sun tracker with surround view. Live sun overlay in the viewfinder — position, full-day path, golden hour, and sunrise/sunset times through your framing and beyond the frame edge. Scrub the date in the gallery to preview the light on any other day.
Cinema lens library. 400+ cinema and stills lens sets from ARRI, Cooke, Zeiss, Panavision, Canon, Sony, Nikon, Sigma, Fujifilm, and more. Sensor-coverage aware.
Format presets. 9:16 through 2.66:1, with 1.33x, 1.5x, 1.8x, and 2x anamorphic squeeze.
Vertical mode. 9:16 capture for social shoots — full lens and color simulation.
Video mode. Log HEVC 4:2:2 10-bit at 23.976. Clips share the gallery with stills, played back through your monitor LUT.
Camera presets. ARRI, RED, Sony, Canon, Blackmagic, Panasonic, Fujifilm, DJI — plus Super 16, 35mm, VistaVision, and 65mm film.
Log profiles & custom LUTs. Compatible with ARRI, Sony, RED, Canon and more — import your own .cube LUTs.
Custom profiles. Save your own camera and lens combinations as presets.
Non-destructive editing. Tap to refocus, swap LUTs, and adjust exposure or white balance on any frame after capture. Export log or with LUT applied, with or without metadata.
Project organization. Group captures with director and DP credits; filter by lens, format, look, or flag; batch export.
Notes & location. Edit notes on any capture; GPS, compass heading, place name, and sun path are saved automatically.
Clean and easy PDF contact sheets. Export and share any project for review on set or with the client — notes, location, and sun path included.

Pick a lens, not just a focal length.

Real depth of field.

Real cinema color.

Everything you need. Nothing you don't.

On screen.

Contact sheets.

Currently in private beta.